Writsy Stuff

I subscribe to author/quilt designer Carol Doak's monthly newsletter, mainly because I like her how-to books on paper piecing and want to know whenever she publishes something new. This month she mentioned the success she's having with teaching online classes at Craftsy.com, the hot new how-to crafting site. According to her newsletter in about a month she had 3,000 students sign up for her class on paper piecing, and even at the currently discounted price of $29.95 per student that comes close to making $100K in a month.

Startling figures, to say the least. Some disclaimers: I don't know how much of that Craftsy.com takes as commission or any other details involved in teaching one of their classes. It should also be mentioned that Carol is already quite well known in the quilting world as a very talented and innovative writer and artist. I noted that one draw may be that she includes free for her students a companion e-book which is valued at half the price of the class, which is an excellent bonus. I thought I'd mention it primarily for any of you who may have published how-to craft books and want to check out what's involved in teaching a class.

It would be great if there were a Craftsy.com-type site for writers (Writsy!) where you could sign up to learn how to write a proper query, what needs to be in a submission package, how to efficiently edit a chapter or even the real nuts and bolts of how to put together an e-book when going the indie route. There are a couple of obvious problems with that idea; the primary one being that writing does not translate as well to video as something like crafting. Writing happens in your head and on the computer and the page, and even the most basic screenshots quickly become tedious (or incomprehensible) in video's rapid delivery of visuals. Filming writing workshops like the kind put on at conferences might be a solution, as long as the instructor is a gifted speaker and does something besides talk.

The other big problem is that there is no one go-to, this-is-how-you-do-it standard for everything professional writers do. I think it would be tough to get everyone to agree on a standard as well -- a good example is simply how you write a novel synopsis. I learned first what synopses were and how to write them via my subscription to Writer's Digest magazine -- until an editor asked me why I wrote such odd synopses. Once I explaining that I was following examples from WD article, the editor informed me that my synopses were in fact too short, that I should not put every character's name in all caps and I wasn't detailing my plot twists or my endings. I asked for an example I could follow, but the editor wouldn't give me one, so I began blindly writing longer synopses, ditched capping the character names and revealed all -- until another editor complained that my synopses were too long and too detailed.

The editor after that one wanted to know why I didn't write out the relationship arcs (and then had to explain to me what those were.) Another asked for chapter summaries to go along with the synopsis. The one after that, who started working with me in mid-series, asked for one-paragraph synopses for all the previous books (and if you want a real writing challenge, try to condense a novel series that contains hundred of characters and settings and plot lines and over a million words altogether into just nine paragraphs.)

To this day practically every editor I work for has a slightly different opinion about what should or shouldn't be in a synopsis. Some want a lot, others just want bare bones, and still others want something I've never before done. That's why I put together a synopses bible on all the books I've sold so I can at least review what I've done in the past that worked. When I teach writing synopses, I also use for examples only the ones which have resulted in contract offers.

Until someone does come up with enough standards for writers to create a Writsy.com there are plenty of online classes for writers. A few weeks back I noted author Barbara Samuel is teaching an online class on voice; the way she has this set up (maintaining a small class size, the triad approach of lectures/exercises/discussions, and offering a scholarship as well as discounts for group) seems like a sensible way to go about it. Before you invest consider all these things as well as what sort of talent and experience the instructor offers, and let that be your guide.

Interesting Sub Op

Bundoran Press Publishing House has an open call for their upcoming antho, Strange Bedfellows, which is "an original short story anthology of political science fiction ‘where ideology is a character.’ We are looking for well-written science fiction stories with strong plots and compelling, if not necessarily sympathetic, characters engaged in arguments with the world. We want political stories, immersed in science, that take on those arguments without polemic but with passion – recognizing that causes have both effects and consequences. We don’t care what your politics are; we just want you to tell a good story. Similar to our novel guidelines, we are accepting any genre of science fiction, from space opera to near future to any of the ‘punk’ genres. Military SF is fine as long as the focus of the story is on internal conflicts not armed ones. No fantasy, even urban, and generally no horror unless it has a solid SF element. In all cases, political systems, political processes, or political solutions must be central to the story." Length: "We are considering stories in the 2000 to 7500 word range with a definite preference for 4-6000 words. Shorter and longer stores MAY be considered but no more than two stories shorter than 2000 words will make the book and no more than one over 7500 (hard maximum 12K)." Payment: "Payment is 5.5 cents per word (Canadian funds) on publication, plus one contributor copy" On reprints: "No reprints, unless specifically solicited by the editor. (Don’t Query.)" Electronic submission only, see guidelines for more details. Deadline: September 30th, 2013.

Flaming Art

A festival of art through self-expression, impermanent structures, creative invention/repurposing and spontaneous community, Burning Man is held for one week annually in Nevada's Black Rock Desert. To get a glimpse of what it's all about, here's an excellent video on its art and culture (for those of you at work, plays with music and narration):

DREAM - Art & Culture of Burning Man from Spark Pictures on Vimeo.

Inconveniences

Yesterday laryngitis prevented me from getting any serious work done, and I was slightly miffed. I have a quite a backlog of posts to write and e-mails to answer, and the inconvenience annoyed me. Determined not to sit around and mope, I spent my morning writing session putting together a new journal and thinking about a story. The journal turned out neat, and while no new revelations about my story struck me (for me that kind of lightning cannot be summoned at will) I did sort out a few things that had needed more thought but that I hadn't had the time to brood on.

I devoted the afternoon and early evening to clearing out some closets, packing up donations for Goodwill and cleaning out the pantry. This is my pantry:



Yes, I alphabetize my spices and categorize my canned goods; it keeps me from having to hunt for things when I'm cooking. It also gave me a chance to check expiration dates and get a handle on what I need the next time I go shopping. This is all part of taking care of a family, and that's my first job anyway.

My voice is better now, which is excellent because I hate whispering, but tonight's editing session is off because I have family obligations to attend to. Families tend to be inconvenient that way; they're always doing something that requires our attention and/or our physical presence. And because we love our families for putting up with all of our writing life nonsense (last week my family were absolute troopers when I was spending twelve hours a day online to promote) the work schedule has to come second to them. I don't expect I'll be thinking at all about writing tonight, but that's okay -- I'll be participating in life and having fun surrounded by the people I love. Nothing is better for recharging the creative batteries than that.

Here are five other things you still can do as a writer whenever life interrupts your writing:

Run Title Ideas: for this you need your brain, a pen and a small notepad. Make a key word list that relates to your story and start playing with combinations or synonyms of the words to form new ideas for titles. Pay attention to the world around you, too; I once got a stupendous title idea when I saw a couple of signs on the highway during a road trip and recombined the words.

Characterize the Crowd: Make up a name, an occupation and a goal for interesting strangers you see while you're out and about in the world. Keep that notepad and pen handy to jot down the best of your ideas for future characters (and, if you have the opportunity, note a physical description of the person who inspired it.)

Memory Game: this is one I play often when I'm away from the desk; I observe a person, place or thing, wait five minutes and then jot down what details I remember about them. This is a great exercise in sharpening your memory and determining what is memorable about anything.

First Lines Tinkering: like the title ideas exercise, just think about what words you want to use in the opening sentence of your story, or work on giving more immediate impact to the sentence you've already written.

Story Photo Ops: If you have a camera with you, why not take some photos of interesting subjects around you? Look for things that are not only attractive or compelling in some way, but that also inspire your curiosity. I keep a photo album specifically of neat places and things I see when I'm out that I think I can work into a story.

Inconveniences -- a few large, but mostly minor -- often make a riddle out of our writing lives. Becoming frustrated or sulking when they happen makes them breed, I think, so I've learned to put the work on hold and simply deal with them as cheerfully as I can manage. It's the resentment that is the creative poison, not the inconvenience itself, so shedding it as quickly as possible is the best kind of damage control.

#14 Makes #15

After spending much time online promoting my new release my voice has decided to go on strike; I can't speak louder than a whisper. This is amusing my crew to no end, especially when I try to use the international gestures to communicate vital requests like Please pick that up or Would you mind not teasing the dog? or Eat your vegetables right this minute or I'm going to puree them and put them in your next milkshake.

Naturally typing by hand takes me forever, so I must keep today's post brief. I want to thank everyone who preordered or went out this week to purchase Nightbound. My editor e-mailed yesterday to tell me that the book debuted at #15 on B&N's mass market romance bestseller list, which is really lovely. Consider yourselves all hugged.

I'll be back tomorrow with something more interesting than my endless novel propaganda. One last reminder, if you visited any of the blogs where I was guest posting and entered the giveaway, remember to check back to see if you've won.

Elsewhere Getting Smacked

To wrap up promotions for Nightbound the protagonist from my novel has been featured in Dark Fairy Tales's Supernatural Smackdown event. Stop in if you get a chance, vote for Beau or your favorite character among the competition, and enter to win this giveaway.

More News Elsewhere

The first two covers for my new Disenchanted & Company series are being revealed today; to have a look click here.

Signage Ten

In honor of Nightbound's release I am sending you over to Penguin's Project Paranormal page to read today's ten list here, which will advise you on how to tell if the guy you like is an immortal.